CSM research project and installation

This MA graduation project focuses on national galleries whose aesthetic frameworks are used by governments to legitimise the voice of the state. National Gallery uses the motion standards of Apple’s user interface design guidelines to suggest a change in the legitimacy of state-powered design, hijacked by user-interface design.

The installation also featured an essay about the oligarchic nature and standardisation of technology companies who are becoming state-like actors in global-scale identity politics.

Research blog ︎︎︎